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After a Met Opera Milestone, ‘Boris’ Brings Another

You may have heard about the widely publicized landmark with which the Metropolitan Opera opened its season on Monday: Terence Blanchard’s “Fire Shut Up in My Bones,” its first work by a Black composer. Flying under the radar is the less momentous but still significant milestone that followed on Tuesday, when the company finally performed the original 1869 version of Mussorgsky’s “Boris Godunov.”

- from New York Times

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The New York Times
A Historic Night as the Metropolitan Opera Tries to Ensure Its Future

With Terence Blanchard’s “Fire Shut Up in My Bones,” the Met came back from its long pandemic shutdown more determined to draw new and more diverse audiences to opera.

After eight minutes of applause, the curtain had dropped for a final time, and many members of the cast of “Fire Shut Up in My Bones,” the first opera by a Black composer in the 138-history of the Metropolitan Opera, began to cry.

“This is crazy,” said Terence Blanchard, the composer, as he embraced singers, dancers and musicians backstage during opening night on Monday. “This is amazing.”

- from New York Times

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Brenda Scofield
FAMA Vice-Chairman
A Message from the MET...
Support the Met Now and Protect its Future

The coronavirus pandemic has had overwhelming economic implications for the MET and its ability to continue to bring you incomparable performances. As a result, the MET is asking you to join its urgent fundraising campaign by making a contribution today. Members of the MET’s Board have generously pledged significant contributions to establish this campaign and the MET hopes you will join them. Your gift will make a critical difference as the MET navigates the challenging months ahead.

With your support, the MET looks forward to coming back stronger than ever. 

Thank you.

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Looking Back: 12 Years of The Met: Live in HD in Hong Kong

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Looking Back: 12 Years of The Met: Live in HD in Hong Kong
Exclusive 獨家放映
Gounod's Roméo et Juliette

古諾《羅密歐與茱麗葉》

6 June 2021 (SUN) 3:15pm, Emperor Cinemas (Entertainment Building, Central) 
2021年 6月6日 （星期日） 下午3時15分，英皇戲院（中環娛樂行）

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21 August 2021 (SAT) 3:40pm, MOViE MOViE Pacific Place
2021年 8月21日 （星期六） 下午3時40分，MOViE MOViE Pacific Place

Booking Closed

11 December 2021 (SAT) 3:40pm, Premiere Elements
2021年 12月11日 （星期六） 下午3時40分, Premiere Elements

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24 July 2021 (SAT) 3:15 pm, Premiere Elements
2021年 7月24日 （星期六） 下午3時15分, Premiere Elements

Tickets Not Yet Available

6 June 2020 (SAT) 5:30 pm, Bethanie Theatre
2020年 6月6日 （星期六） 下午5時30分, 伯大尼

Booking Closed

4 July 2020 (SAT) 5:30 pm, Bethanie Theatre
2020年 7月4日 （星期六） 下午5時30分, 伯大尼

Booking Closed

27 September 2020 (SUN) 3:20 pm, MOViE MOViE Pacific Place
2020年 9月27日 （星期日） 下午3時20分, MOViE MOViE Pacific Place

Booking Closed 

Tony Award–winning director Bartlett Sher’s new staging of Gounod’s Roméo et Juliette updates the action to 18th-century Verona and conjures both the magic and heartbreak of this timeless love story. Tenor Vittorio Grigolo and soprano Diana Damrau enchanted audiences as Shakespeare’s star-crossed lovers, with Damrau displaying glittering coloratura virtuosity and Grigolo delivering passionate longing and a moving rendition of the famous aria “Ah! lève-toi, soleil!” On the podium, maestro Gianandrea Noseda draws a wealth of orchestral color from Gounod’s lush score.

東尼獎得主巴特萊．謝爾(Bartlett Sher)負責全新製作，以十八世紀的維羅納為背景，為改編自莎士比亞名著的經典愛情悲劇增添色彩。男高音維托里奧．格里高洛(Vittorio Grigolo)飾演羅密歐，深情演出名曲《升起吧，太陽》贏來全場掌聲；女高音戴安娜．戴姆勞(Diana Damrau)飾演茱麗葉，完美的展示其精湛的花腔唱法迷倒眾人。華麗的音樂由賈南德雷亞‧諾賽德(Gianandrea Noseda)指揮。

"We want it to be shockingly heartbreaking"

The late Anthony Minghella in producing Madama Butterfly

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Handel’s Agrippina

韓德爾 《阿格里皮娜》

7 November 2021 (SUN) 3:15pm, Emperor Cinemas  (Entertainment Building, Central)
2021年 11月7日 （星期日） 下午3時15分，英皇戲院（中環娛樂行）

Booking Closed

11 December 2021 (SAT) 3:15 pm, Premiere Elements
2021年 12月11日 （星期六） 下午3時15分, Premiere Elements

Tickets Not Yet Available

12 December 2021 (SAT) 3:00pm, K11 Art House
2021年 12月12日 （星期六） 下午3時正，K11 Art House

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Handel’s breakout opera masterpiece, Agrippina offers a wryly satirical look at the political maneuverings and personal entanglements of the Roman emperor Claudius, his cadre of advisers and hangers-on, and his cunning wife, Agrippina. During the 2019–20 season, the Baroque black comedy had its long-awaited Met premiere in new production by Sir David McVicar that updated the action to the present age. In this Live in HD transmission, mezzo-soprano Joyce DiDonato delivers a knockout performance of the title role, a woman who will stop at nothing to get her depraved son, Nero (sung by mezzo-soprano Kate Lindsey), on the throne. Harry Bicket conducts an exquisite ensemble cast, which also features soprano Brenda Rae in her debut season as Poppea, countertenor Iestyn Davies as Ottone, countertenor Nicholas Tamagna as Narciso, baritone Duncan Rock as Pallante, and bass Matthew Rose as Claudio.

韓德爾的成名作《阿格里皮娜》充滿黑色幽默，挪揄諷刺古羅馬克勞狄烏斯皇帝與其奸狡貪權的妻子阿格里皮娜的種種濫權惡行。於2019-2020年季度，這套巴洛克黑色喜劇首度登上大都會歌劇院，大衛·麥克維卡 (Sir David McVicar) 的製作巧思讓這部歌劇脫胎換骨，呼應「現今社會」的濫權亂象。著名女中音喬伊斯·迪多納托 (Joyce DiDonato) 飾演控制慾強烈、貪慕權位的阿格里皮娜，為了讓其子儲君尼祿 (由女中音凱特·林齊 (Kate Lindsey) 飾演) 登上皇位無所不用其極。由哈里·比凱 (Harry Bicket) 擔任指揮。演員陣容星光熠熠， 包括女高音布蘭達·蕾 (Brenda Rae) 飾演波佩亞、假聲男高音伊絲汀·戴維斯 (Iestyn Davies) 飾演奧托內、男低音馬修·羅斯 (Matthew Rose) 飾演克勞狄烏斯皇帝。

A Dance between Power and Politics

Sir David McVicar on Agrippina

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