Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to cinemas worldwide in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (The New York Times). Soprano Rachel Willis-Sørensen stars as the title heroine, a young noblewoman in search of love on her own terms. Radiant soprano Louise Alder is her sister, Zdenka, and bass baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet.

史特勞斯優雅浪漫的愛情故事將19世紀維也納的輝煌與魅力帶到電影院大銀幕，傳奇導演奧托．申克的華麗製作被《紐約時報》譽為「美得令人難以置信」。女高音瑞秋威利斯-索倫森飾演女主角，以自己的方式追尋愛情的年輕貴婦。光彩照人的女高音路易絲．奧爾德飾演她的妹妹茲登卡，男中音托馬斯．科涅茨尼飾演讓阿拉貝拉神魂顛倒的英俊伯爵。

Giordano’s passionate tragedy stars tenor Piotr Beczała as the virtuous poet who falls victim to the intrigue and violence of the French Revolution. Following their celebrated recent partnership in Giordano’s Fedora in the 2022–23 Live in HD season, Beczała reunites with soprano Sonya Yoncheva as Chénier’s aristocratic lover, Maddalena di Coigny, with baritone Igor Golovatenko as Carlo Gérard, the agent of the Reign of Terror who seals their fates. Met Principal Guest Conductor Daniele Rustioni takes the podium to lead Nicolas Joël’s gripping staging. 

佐丹奴的這部由激情編寫的悲劇由男高音彼得．貝扎瓦飾演一位正直的詩人，卻淪為法國大革命陰謀與暴力的犧牲品。繼在高清系列2022季度中喬達諾《費多拉》的合作後，男高音貝扎瓦將與女高音索尼婭．雍切娃再次聯袂，飾演謝尼埃的貴族情人瑪達蓮娜．迪．科瓦尼；男中音伊戈爾．戈洛瓦堅科飾演卡洛．傑拉德，恐怖統治的幕後操縱者，決定了眾人的命運。大都會歌劇院首席客席指揮丹尼爾．魯斯蒂奧尼登台指揮，帶領尼古拉斯．喬爾扣人心弦的舞台。

After years of anticipation, a truly unmissable event arrives in cinemas as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke. 

歷經多年期盼，一部不容錯過的傳奇歌劇終於重臨電影院：光芒四射的戲劇女高音莉絲．戴維森將出演其中一位最具挑戰性的女高音角色：愛爾蘭公主伊索德—在華格納筆下思考愛與死亡的意義。男高音邁克爾．斯皮爾斯與戴維森聯袂出演沉醉於愛情的崔斯坦。本演出同時標誌著尤瓦爾．沙龍在大都會歌劇院的首部執導作品。尤瓦爾．沙龍被《紐約時報》譽為「這一代最具遠見的歌劇導演」，也是第一位在著名的拜羅伊特．瓦格納音樂節執導歌劇的美國人。此外，音樂總監雅尼克．尼澤-塞甘也將首次在大都會歌劇院指揮本劇。女中音葉卡捷琳娜．古巴諾娃再次演繹布蘭甘妮，與男中音托馬什．科涅茨尼合作演出。科涅茨尼曾在大都會歌劇院演出華格納《漂泊的荷蘭人》和《尼伯龍根的指環》等多部作品，並曾飾演庫威納爾一角。男中音瑞安．斯皮多．格林首次於大都會歌劇院擔任重要角色，飾演馬克國王。

Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushki. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).   

繼2024年在普契尼歌劇《蝴蝶夫人》中首次亮相並大獲好評後，女高音阿斯米克．格里戈里安重返大都會歌劇院，在這部改編作品中飾演陷入熱戀的年輕女主角塔蒂亞娜。男中音伊戈爾．戈洛瓦堅科再次演繹溫文爾雅的奧涅金，他遲遲才意識到自己對女主角的愛意。由東尼獎得主黛博拉．華納執導這部令人回味的作品，大師級製作被《每日電訊報》譽為「對柴可夫斯基的抒情與浪漫的精細詮釋」。

The Metropolitan Opera’s 2025–26 Live in HD season comes to a close with a transmission of American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker. 

大都會歌劇院2025-26高清現場演出季以美國作曲家加布里埃拉．萊娜．弗蘭克的首部歌劇落下帷幕。這部歌劇以魔幻寫實主義手法描繪了墨西哥畫家界的權力夫婦芙烈達．卡羅和迭戈．裡維拉，劇本由普立茲獎得主劇作家尼洛．克魯茲創作。本劇以俄耳甫斯與歐律狄刻神話的反轉為背景，講述了由首席女中音伊莎貝爾．倫納德飾演的芙烈達在亡靈節離開冥界，與由男中音卡洛斯．阿爾瓦雷斯飾演的迭戈重逢的故事。這對終日爭吵的情侶短暫地重溫了他們的動蕩愛情路，在與人間告別之前，他們將經歷激情與痛苦。音樂總監雅尼克．尼澤-塞甘執棒大都會歌劇院首演弗蘭克的歌劇。 《紐約客》評論這部歌劇「充滿自信，想像力豐富」，《洛杉磯時報》則評價其「色彩繽紛，個性鮮明」。這部充滿活力的全新作品，從弗里達和迭戈的畫作中汲取了靈感，由黛博拉．科爾克執導並編舞。

Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians.

勞倫特．佩利以故事書的舞台設計演繹馬斯奈的《灰姑娘》，是2017-18季度的大熱作品，本劇採用了經全新英文翻譯的90分鐘精要版本，女中音伊莎貝爾．萊納德飾演飛上枝頭的公主。指揮家伊曼紐爾．維堯姆帶領令人賞心悅目的陣容：女中音艾蜜莉．迪安杰洛飾演灰姑娘的白馬王子，女高音謝茜嘉．普拉特飾演仙子教母，加上女中音斯蒂芬妮．布萊斯和低音男中音勞倫特．納歐里飾演總在爭吵的家長。

The groundbreaking broadcast that launched the Met’s award-winning Live in HD series to movie theaters in 2006, The Magic Flute enchanted opera lovers from around the world with the whimsical humor and breathtaking puppetry of Julie Taymor’s hit production, presented in a shortened English-language version. Under the baton of Maestro James Levine, a winning ensemble cast—including Nathan Gunn, Ying Huang, Matthew Polenzani, Erika Miklósa, and René Pape—brings fresh life to Mozart’s timeless fairy tale.

在2006年，大都會歌劇院破天荒在電影院高清放送其得獎作品《魔笛》。這個由茱莉．泰莫爾製作的大熱歌劇以經過刪減的英文版播放，透過異想天開的幽默及令人驚歎的木偶劇令世界各地的歌劇愛好者陶醉。在大師詹士．萊文指揮棒下，得獎演出組合──包括尼森．岡恩、黃英、馬修．布蘭札尼、艾瑞卡．米可羅莎及萊尼．帕普──為莫札特的永恆童話注入生命。

Georgian mezzo-soprano Anita Rachvelishvili gives a dynamic performance as Bizet’s iconic gypsy, the woman who lives by her own rules. Aleksandrs Antonenko is Don José, the soldier who falls under her spell, and Ildar Abdrazakov plays Escamillo, the swaggering bullfighter who takes Carmen away from Don José—an action that seals Carmen’s tragic fate. Anita Hartig is Micaëla, and Pablo Heras-Casado conducts Richard Eyre’s hit production, set in 1930s Spain.

喬治亞女中音歌手安妮塔．拉奇韋利什維利以充滿活力的表演詮釋了比才筆下標誌性的吉普賽女郎—命運多舛的輕浮女子卡門。亞歷山大斯．安東尼科飾演唐．何塞，這位士兵被卡門的魅力所傾倒；伊爾達爾．阿卜杜拉扎科夫飾演埃斯卡米洛，這位傲慢的鬥牛士將卡門從唐．何塞身邊帶走——這一舉動注定了卡門的悲劇命運。阿妮塔．哈蒂格飾演米凱拉，帕布羅．埃拉斯-理查．艾爾這部熱門製作，故事背景設定在1930年代的西班牙。

The title character of Madama Butterfly—a young Japanese geisha who clings to the belief that her arrangement with a visiting American naval officer is a loving and permanent marriage—is one of the defining roles in opera. The story triggers ideas about cultural and sexual imperialism for people far removed from the opera house, and film, Broadway, and popular culture in general have riffed endlessly on it. The lyric beauty of Puccini’s score, especially the music for the thoroughly believable lead role, has made Butterfly timeless.

《蝴蝶夫人》的主角—一位年輕的日本藝伎，她堅信自己與一位來訪的美國海軍軍官之間的約定是一段充滿愛意且永恆的婚姻——是歌劇史上最具代表性的角色之一。這個故事引發了人們對文化和性帝國主義的思考，即使對於遠離歌劇院的人來說也是如此。電影、百老匯以及整個流行文化都對此進行了無止盡的演繹。普契尼優美的樂譜，尤其是為這位極具感染力的女主角譜寫的音樂，使《蝴蝶夫人》成為永恆的經典。